In her early abstractions, O’Keeffe rendered the same soft, flowing organic forms as she did in her dress. Her rounded forms also have a kinship with the plant-form vocabularies popularized by the international Arts and Crafts and Art Nouveau movements. When Alfred Stieglitz saw her first abstractions, he is famously said to have exclaimed, “Finally, a woman on paper,” and in 1916 and again in 1917, he hung some of them in his gallery at 291 Fifth Avenue. (https://designlifenetwork.com/georgia-okeeffe-living-modern-virtual-tour/)