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Hiroyuki Hamada grew up in Japan until the age of eighteen, then moved with his family to Wheeling, West Virginia where his father held a temporary post in the steel industry; the culture shock Hamada experienced was underscored by the linguistic gap, and it was through the study of drawing while in college that Hamada found an outlet to bridge the gap. He changed his major from psychology to studio art, then went on to earn a Masters in Fine Art from the University of Maryland. Hamada transforms non-art materials, enamel, tar, wax, burlap, plastic, into powerful artistic forms, and arranges those industrial and even brutal materials in gentle, smooth shapes. The output is a series of non-representational artworks, named by numbers in a sequence.
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Sha-Mayn Teh

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