Michael Smither CNZM is best known as a painter of gritty, realistic domestic scenes, and for creating modern icons of New Zealand landscape features like Mt Taranaki and Mercury Bay. Less well known is his parallel career as a musician and composer, which he has continued to pursue while earning his living primarily as a painter, sculptor and printmaker. Smither has experienced the neurological phenomenon of synaesthesia, in which the person may register sounds as colours. Key childhood events stimulated his interest in the sensory overlaps between colour and music. One was seeing Walt Disney's 1940 film Fantasia for the first time, with its animated impressions of musical phrases, shown as lines and colours, jumping about on the screen in time with the classical soundtrack. From this point on the idea that sounds can be represented visually became a major fascination, one that Smither has returned to throughout his artistic career. At the same time, strong, vivid, and sometimes even garish or lurid colours have always been characteristic of his visual art production. Colour Can Be Sound explores the relationship between sounds and colours, bringing together a group of paintings, screenprints, and sculptures that document Michael Smither’s intensive studies of this relationship over the past five decades. Included are works from Smither’s Polyphonic Harmonies series, for example The Harmonic Chart (1984) – an abstract image which shows how the artist has mapped the twelve notes of the Western musical octave onto the colours of the spectrum – as well as three-dimensional ‘harmonic cube’ sculptures, and new works that continue Smither’s investigations into the ways in which we perceive sound and colour. (https://www.thebigidea.nz/connect/media-releases/2013/oct/135741-michael-smither-colour-can-be-sound)