One of a series of drawings in which Du Pasquier experiments with several surface treatments—on the floor, walls, and furniture of a living room—to enliven a domestic setting. Influenced by Pompeian wall paintings, Du Pasquier designed decorative panel inserts that had a perceptual effect on the viewer. “There is this pleasure of breaking the wall with a false view,” she says..... PM: People continue to read a lot into Memphis and its role in twentieth-century design. But it seems like you guys were having a lot of fun. NDP: That is what most people think about Memphis, that it was just fun. But bright colors are not childish. Those patterns were not funny. It was totally misunderstood in the sense that it was taken for a joke—that the serious thinking was part of Modernism, and because what we were doing was in reaction against that, it meant we... (Read complete interview at http://www.metropolismag.com/April-2015/Surface-Matters/)