One sees first a man bending over like a malicious goblin, carrying a canvas on which his improbable shadow is represented... Then one must view the sculpture from the back, discovering first the imprint of a hand on the man’s breast, a female hand in a red glove, bursting out from the other side of the canvas: the canvas has
indeed a back side, depicting a red-haired woman, nude, curling up, eyes closed as if in ecstasy, lips slightly parted, as if in a rapture. Maybe the man is stealing the painting, abducting the woman, his fingers grabbing ferociously at her bottom. It seems
though that they are touching each other, embracing, even ready to make love. She is at the same time object and subject, body and representation. It’s a
sculpture and a painting, the shadow and the flesh, the self and the other. This work celebrates the return of Tamara Kvesitadze to painting... (http://www.galeriekornfeld.com/wp-content/uploads/2013/08/Tamara_Kvesitadze-Galerie-Kornfeld-Berlin-2013.pdf)