Untitled by Charlotte Salomon

From a panel in “Life? or Theatre?” in which Paulinka (based on the artist’s stepmother) appears to Daberlohn (based on Wolfsohn) in a vision.
[https://www.newyorker.com/culture/culture-desk/the-obsessive-art-and-great-confession-of-charlotte-salomon]
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Imported from: media.newyorker.com
Media: gouache