Ivana Kobilka

Slovenia / 1861 - 1926 / wikipedia
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Ivana Kobilca (20 December 1861 – 4 December 1926) is the most prominent Slovene female painter and a key figure of Slovene cultural identity. She was a realist painter who studied and worked in Vienna, Munich, Paris, Sarajevo, Berlin, and Ljubljana. She mostly painted oil paintings and pastels, whereas her drawings are few. The themes include still life, portraits, genre works, allegories, and religious scenes. She was a controversial person, criticised for following movements that had not developed further in later periods....

Judging by her social origin, way of living, ideals and work, she was an urban artist. She is one of Slovene realists, who created their most important paintings in the 1880s. Kobilca's greatest tribute to Slovenian art was made during the time she lived abroad. Her greatest impact was on figural painting, especially portraits and paintings of typical people's lives in rustic or urban places. Since the time she had spent in Berlin, her most important genre became floral still life. Her early work reflects characteristics of München studio-work. The main colors are dark and brownish, only the pastels are light and rosy. From 1889 onwards her painting became lighter with blue nuances, typical for Parisian art at the time.

From here on, many artists took the next step that led into Impressionism, but Ivana Kobilca did not. In the latest period of her work, her ability to create fresh and interesting paintings started to fade. With some exceptions, her works of that period are dull and impersonal.

Kobilca's best known paintings are Kofetarica (Coffeemadam), 1888; Citrarica (Zitherist), Likarice (Women Ironers), 1891; Holandsko dekle (Dutch Girl), Portret sestre Fani (Portrait of Sister Fani), 1889; and Poletje (Summer), 1889. Her work is on display in all major European galleries.
Kofetarica (1888)

After Slovenia declared independence from Yugoslavia, Kobilca was portrayed by Rudi Španzel on...
(https://en.wikipedia.org/wiki/Ivana_Kobilca)
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First Collected by

Suzan Hamer

collection
38539

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