Nancy Peel Gladwell

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"Painting is immediate, you don’t have to invest the time that literature, dance or music demand. This is the both blessing and curse. Through a singular visual experience one can be moved with gut wrenching intensity. Naturally, this is a plus. The minus part of a visual encounter is that it doesn’t demand much of us; one can easily cast a quick, and dismissive glimpse and move on. Naturally, all artists want to generate that moving experience, but that is not enough. A really good painting, according to me, leaves you slightly altered, with a nagging sense that you haven’t quite gotten all of it yet. This is where the wheat separates from the chaff. It is also responsible for leading one on a life long journey to figure it out; unravel just what it takes to get there.

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After so many years of painting, I ask myself why is this so intoxicating? The short answer is that I believe that orchestrating a visual world, recognizable or not, is the shortest route to reach my definition of a good painting. But, more than that, it believe it to be one of the surest avenues to obtain gratitude. By that I mean, the gratitude to experience the experience."
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First Collected by

Suzan Hamer

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38539

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