Variation on Totempole, published in 1976 by Diogenes Verlag AG, Zürich). The bondage drawings are themselves confined to a separate room at the Drawing Center, along with a later series of artfully smudgy sketches of German dominatrices made while the artist was in residence in a Hamburg bordello. These tranquil studies, some reminiscent of Degas pastels, are idyllic compared to the resurgent political work of the 1980s and 1990s. (http://www.nybooks.com/daily/2015/02/05/tomi-ungerer-brash-bold-insolent/)