Leaving (II) Cathedral Rock2015 by William Mackinnon
...The preponderance of black in MacKinnon’s compositions endows drama, but it also serves to unify the various techniques and media. The artist employs oil, acrylic and auto-body enamel in the same pictures and contrasts precise rendering with looser brushwork that verges on abstraction. The distinction reflects the divide between man-made and natural: Lush vegetation and night skies inspire a freer hand. It also reflects the moods of an artist who writes, “Each day I come into the studio feeling different.” Rather than harmonize these emotions, he juxtaposes them extravagantly, under the cover of darkness.
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